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Destructive Sublime

World War II in American Film and Media

by Tanine Allison ...

Series series War Culture
The American popular imagination has long portrayed World War II as the “good war,” fought by the “greatest generation” for the sake of freedom and democracy. Yet, combat films and other war media complicate this conventional view by indulging in explosive displays of spectacular violence. Combat sequences, Tanine Allison argues, construct a counter-narrative of World War II by reminding viewers ... Read more

$38.99 CAD

The American popular imagination has long portrayed World War II as the “good war,” fought by the “greatest generation” for the sake of freedom and democracy. Yet, combat films and other war media complicate this conventional view by indulging in explosive displays of spectacular violence. Combat sequences, Tanine Allison argues, construct a counter-narrative of World War II by reminding viewers
... Read more
Editing and Special/Visual Effects

by Kristen Whissel, Scott Higgins, Dan North, Paul Monticone, Ariel Rogers, Dana Polan, Julie Turnock, Benjamin Wright, Lisa Purse, Meraj Dhir0, Tanine Allison1, Charlie Keil3, Deron Overpeck4 ...

Series series Behind the Silver Screen Series
Most moviegoers think of editing and special effects as distinct components of the filmmaking process. We might even conceive of them as polar opposites, since effective film editing is often subtle and almost invisible, whereas special effects frequently call attention to themselves. Yet, film editors and visual effects artists have worked hand-in-hand from the dawn of cinema to the present day ... Read more

$34.99 CAD

Most moviegoers think of editing and special effects as distinct components of the filmmaking process. We might even conceive of them as polar opposites, since effective film editing is often subtle and almost invisible, whereas special effects frequently call attention to themselves. Yet, film editors and visual effects artists have worked hand-in-hand from the dawn of cinema to the present day
... Read more

Digital Storytelling

The Narrative Power of Visual Effects in Film

by Shilo T. McClean ...

How digital visual effects in film can be used to support storytelling: a guide for scriptwriters and students.Computer-generated effects are often blamed for bad Hollywood movies. Yet when a critic complains that "technology swamps storytelling" (in a review of Van Helsing, calling it "an example of everything that is wrong with Hollywood computer-generated effects movies"), it says more about ... Read more

$43.99 CAD

How digital visual effects in film can be used to support storytelling: a guide for scriptwriters and students.Computer-generated effects are often blamed for bad Hollywood movies. Yet when a critic complains that "technology swamps storytelling" (in a review of Van Helsing, calling it "an example of everything that is wrong with Hollywood computer-generated effects movies"), it says more about
... Read more
The Way Hollywood Tells It

Story and Style in Modern Movies

by David Bordwell ...

Hollywood moviemaking is one of the constants of American life, but how much has it changed since the glory days of the big studios? David Bordwell argues that the principles of visual storytelling created in the studio era are alive and well, even in today’s bloated blockbusters. American filmmakers have created a durable tradition—one that we should not be ashamed to call artistic, and one that ... Read more

$28.99 CAD

Hollywood moviemaking is one of the constants of American life, but how much has it changed since the glory days of the big studios? David Bordwell argues that the principles of visual storytelling created in the studio era are alive and well, even in today’s bloated blockbusters. American filmmakers have created a durable tradition—one that we should not be ashamed to call artistic, and one that
... Read more
Special Effects

Still in Search of Wonder

by Michele Pierson ...

Series series Film and Culture Series
Designed to trick the eye and stimulate the imagination, special effects have changed the way we look at films and the worlds created in them. Computer-generated imagery (CGI), as seen in Hollywood blockbusters like Star Wars, Terminator 2, Jurassic Park, Independence Day, Men in Black, and The Matrix, is just the latest advance in the evolution of special effects. Even as special effects have ... Read more

$33.99 CAD

Designed to trick the eye and stimulate the imagination, special effects have changed the way we look at films and the worlds created in them. Computer-generated imagery (CGI), as seen in Hollywood blockbusters like Star Wars, Terminator 2, Jurassic Park, Independence Day, Men in Black, and The Matrix, is just the latest advance in the evolution of special effects. Even as special effects have
... Read more
Stanley Kubrick at Look Magazine

Authorship and Genre in Photojournalism and Film

by Philippe D. Mather ...

From 1945 to 1950, during the formative years of his career, Stanley Kubrick worked as a photojournalist for Look magazine. Offering a comprehensive examination of the work he produced during this period – before going on to become one of America’s most celebrated filmmakers – Stanley Kubrick at Look Magazine sheds new light on the aesthetic and ideological factors that shaped his artistic voice. ... Read more

$21.99 CAD

From 1945 to 1950, during the formative years of his career, Stanley Kubrick worked as a photojournalist for Look magazine. Offering a comprehensive examination of the work he produced during this period – before going on to become one of America’s most celebrated filmmakers – Stanley Kubrick at Look Magazine sheds new light on the aesthetic and ideological factors that shaped his artistic voice.
... Read more
Sound Design and Science Fiction

by William Whittington ...

Sound is half the picture, and since the 1960s, film sound not only has rivaled the innovative imagery of contemporary Hollywood cinema, but in some ways has surpassed it in status and privilege because of the emergence of sound design.This in-depth study by William Whittington considers the evolution of sound design not only through cultural and technological developments during the last four ... Read more

$28.99 CAD

Sound is half the picture, and since the 1960s, film sound not only has rivaled the innovative imagery of contemporary Hollywood cinema, but in some ways has surpassed it in status and privilege because of the emergence of sound design.This in-depth study by William Whittington considers the evolution of sound design not only through cultural and technological developments during the last four
... Read more
Cinematic Appeals

The Experience of New Movie Technologies

by Ariel Rogers ...

Series series Film and Culture Series
Cinematic Appeals follows the effect of technological innovation on the cinema experience, specifically the introduction of widescreen and stereoscopic 3D systems in the 1950s, the rise of digital cinema in the 1990s, and the transition to digital 3D since 2005. Widescreen cinema promised to draw the viewer into the world of the screen, enabling larger-than-life close-ups of already larger-than ... Read more

$35.99 CAD

Cinematic Appeals follows the effect of technological innovation on the cinema experience, specifically the introduction of widescreen and stereoscopic 3D systems in the 1950s, the rise of digital cinema in the 1990s, and the transition to digital 3D since 2005. Widescreen cinema promised to draw the viewer into the world of the screen, enabling larger-than-life close-ups of already larger-than
... Read more
How To Read a Film

Movies, Media, and Beyond

by James Monaco ...

Monaco's book was an instant classic when it first came out, and with new sections in its anniversary edition, is more essential than ever. A landmark in media studies, it is unique in its sophisticated understanding of both the art and technology of film. Molly Haskell, criticWhen it was first published in 1977, HOW TO READ A FILM established itself as a genuine classic in film studies and has ... Read more

$16.99 CAD

Monaco's book was an instant classic when it first came out, and with new sections in its anniversary edition, is more essential than ever. A landmark in media studies, it is unique in its sophisticated understanding of both the art and technology of film. Molly Haskell, criticWhen it was first published in 1977, HOW TO READ A FILM established itself as a genuine classic in film studies and has
... Read more
Stanley Kubrick's 2001: A Space Odyssey : New Essays

New Essays

by Robert Kolker ...

Almost all students have seen 2001 but virtually none understand its inheritance its complexities and certainly not its ironies. The essays in this collection commissioned from a wide variety of scholars examine in detail various possible readings of the film and its historical context. They also examine the film as a genre piece--as the summa of science fiction that simultaneously looks back on ... Read more

$36.99 CAD

Almost all students have seen 2001 but virtually none understand its inheritance its complexities and certainly not its ironies. The essays in this collection commissioned from a wide variety of scholars examine in detail various possible readings of the film and its historical context. They also examine the film as a genre piece--as the summa of science fiction that simultaneously looks back on
... Read more
MasterShots Volume 2: 100 Ways to Shoot Great Dialogue Scenes

Shooting Great Dialogue Scenes

by Christopher Kenworthy ...

Building on the success of the bestselling "Master Shots," this volume goes much deeper, revealing the great directors' secrets for making the most of the visual during the usual static dialogue scene. Includes more than 200 diagrams illustrating camera positions. ... Read more

$30.99 CAD

Building on the success of the bestselling "Master Shots," this volume goes much deeper, revealing the great directors' secrets for making the most of the visual during the usual static dialogue scene. Includes more than 200 diagrams illustrating camera positions.
... Read more
Introduction to Documentary, Third Edition

by Bill Nichols ...

The third edition of Bill Nichols's best-selling text provides an up-to-date introduction to the most important issues in documentary history and criticism. A new chapter, "I Want to Make a Documentary: Where Do I Start?" guides readers through the steps of planning and preproduction and includes an example of a project proposal for a film that went on to win awards at major festivals. Designed ... Read more

$26.99 CAD

The third edition of Bill Nichols's best-selling text provides an up-to-date introduction to the most important issues in documentary history and criticism. A new chapter, "I Want to Make a Documentary: Where Do I Start?" guides readers through the steps of planning and preproduction and includes an example of a project proposal for a film that went on to win awards at major festivals. Designed
... Read more

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“tanine allison”

Destructive Sublime

Editing and Special/Visual Effects

People who read these also enjoyed

Digital Storytelling

The Way Hollywood Tells It

Special Effects

Stanley Kubrick at Look Magazine

Sound Design and Science Fiction

Cinematic Appeals

How To Read a Film

Stanley Kubrick's 2001: A Space Odyssey : New Essays

MasterShots Volume 2: 100 Ways to Shoot Great Dialogue Scenes

Introduction to Documentary, Third Edition

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