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  • Pinocchio in America

    With an essay by Carmen Petruzzi and an afterword by Maria Truglio

    Series Book 4 - Wonderland. Testi e percorsi di letteratura per l’infanzia
    Pinocchio represents a cornerstone of children’s literature worldwide. The narrative value and symbolic complexity of Carlo Collodi’s work have made it extraordinarily adaptable, as evidenced by its numerous rewritings. Almost a century after its first appearance in 1928, Angelo Patri’s Pinocchio in America is being republished, enriched with the original illustrations by Mary Liddell. This ... Read more

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    Iberian Crime Fiction is the first volume in English to provide an extensive overview of crime fiction in Spain and Portugal. While the origins of peninsular crime fiction are traced in Nancy Vosburg's introductory chapter to the volume, the essays focus on specific topics that provide readers with a sense of the development of the genre in the second half of the 20th-century and current trends in ... Read more

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  • Marco Bellocchio

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    Marco Bellocchio is one of Italy's most important and prolific directors, with a career spanning five decades. In this book, Clodagh J. Brook explores the boundaries between the public and the private, the political and the personal, and the collective and the individual as they appear in Bellocchio's films. Including work on psychoanalysis, politics, film production, autobiography, and the ... Read more

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  • The Importance of Place in Contemporary Italian Crime Fiction

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  • New Perspectives in Italian Cultural Studies

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  • Pasolini after Dante

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    Series series Legenda
    What role did Dante play in the work of Pier Paolo Pasolini (1922-1975)? His unfinished and fragmented imitation of the Comedia, La Divina Mimesis, is only one outward sign of what was a sustained dialogue with Dante on representation begun in the early 1950s. During this period, the philologists Gianfranco Contini (1912-1990) and Erich Auerbach (1892-1957) played a crucial role in Pasolini’s re ... Read more

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